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JOUR 652:
Online Journalism, Spring 2007
Instructor: Chris Harvey
E-mail:
charvey@jmail.umd.edu; phone:
301-405-6256 (office) or 301-314-2696 (Maryland Newsline lab on Tuesdays,
Thursdays and Fridays).
Classes, Section 0101:
Wednesdays,
1-3:45 p.m., Room 3103 Journalism Building. Office hours:
3:45 p.m. to 4:30 p.m. Wednesdays, in the new-media lab in Room 3117 Journalism, or
by appointment.
Goals:
This is not a computer
class or an art class. It's
a journalism course in which we'll use computers and readings and discussions to learn about online news
publishing. The class will include lectures on emerging media themes, such
as Internet-spawned media partnerships and mergers; the business, ethical and legal implications of publishing
online; the characteristics that distinguish news Web sites and their stories from
their print and
broadcast counterparts; and guidelines for doing research on the Internet. In addition, a core portion of the class will
include hands-on assignments: Students will be introduced to basic html and
to Web-editing and photo-editing tools. And they'll learn about site structuring and navigation,
headline and link writing, and basic page layout, while building a multi-page
biography (with photos).
Prerequisites:
JOUR 502, 503 or the equivalent. For journalism majors only.
Assignments/Tests: More
detailed instructions on all of these assignments will be supplied in class by
your instructor. Assignments are due at the start of each class, unless
otherwise noted. Please follow Associated Press style
for print on all assignments..
- Feb. 21 (Deadline moved back a week
due to snow cancellation Feb. 14): (5 percent of your
grade): One-page Web resume due, with text, subheads, internal (anchor)
links, an e-mail address link, at least one external hyperlink, and at least one bulleted list. Your resume
should also include a horizontal rule. Background colors are optional, as are
changed link colors. Each factual mistake will result in one letter-grade
deduction, as will each broken link. Unreadable resumes (because of bad color
choices for fonts or backgrounds) will result in an automatic F. Assignments
lose a full letter grade for each day that they're late.
- March 14: (20 percent of your
grade): Midterm (Moved back a week due to snow cancellation in February.)
- April 18: (20 percent of your
grade): Four-page Web biography package due. This is an expansion of
your resume assignment. You will create a narrative home page and a third and
fourth page
and link these to your resume to create a package. The nonfiction narrative on
the home page should be 300-700 words and
include a photo or graphic on the page.
The narrative
must be compelling and concise and be
written in journalistic style. The third page could link to published
writing or broadcast samples --news clips, press releases, audio or video
clips. Please don't link to unpublished work. Or it and the fourth pages
could include a photo montage of friends; a page describing trips; or a page
of personal likes and dislikes. The four pages, when linked together, must
include lively text, external links, at least three photos and one graphic.
The graphic could be created by you in Photoshop or come from free art on
the Internet. All links must work; navigation must be consistent on all
pages; all text must make sense and be written in AP style. Each factual
mistake will result in a full letter-grade deduction, as will each broken
link and broken image. This should be something you'd be proud to show a
prospective employer. Here are examples of student work from
previous semesters:
Grad students (required to build four pages):
Chris Hannas,
April Chan,
Mary Ellen Slayter,
Lisa Tossey
Undergrads (required to build three pages):
Jorge Valencia,
Lisa Rassenti,
Elahe Izadi,
Damon Curry,
Lindsay Smith,
Mark Pak,
Kendra Nichols,
Jacqueline Sauter
and
Yulia Khabinsky.
Monday,
May 14, 3:30 p.m.: (25 percent of your
grade): Final paper due: News Web site analysis. This is an 8- to 10-page
double-spaced paper
analyzing a news Web site,
selected from a list I will circulate in class. You
will discuss how well the site uses navigation; how clean its design
is; how well it uses photos and graphics, broadcast features (audio and video) and interactive elements
(such as chats, blogs, polls, quizzes and searchable databases); how much (if
any) original reporting appears to be done by the online staff; and how well
stories are written and presented and make use of the medium. You should tell me about any other features you loved
or hated and why. And you should tell me what changes editors and
publishers might
consider to better position themselves for the future.
I
recommend that you include an introductory paragraph or two at the start of
the paper and a summary paragraph
or two at the end. Subheads throughout may help you organize your thoughts. The analysis should be based on your observations of the
site throughout the semester and on research you've conducted on the site,
using search engines and directories and other tools. I recommend that you do a brief Lexis/Nexis search of
the site, to see if you can find background stories about it that may
help explain some of its idiosyncrasies.
Interviews with at least one high-level designer or editor
are required to answer questions that may arise as you are trying to explain
why a site is designed the way it is, or why it focuses on a particular type
of content, etc. Factual
mistakes--including misspelled proper names and faulty URLs--will result in
full letter-grade deductions. Information quoted from other sources should be
attributed in the text and further identified in foot notes or end notes.
Papers must be
typed and numbered and turned in on paper under my fourth floor office door and by e-mail
to me (so that each will have a time stamp from the e-mail). Papers turned in after deadline will receive
an F; no exceptions will be made.
Class participation
(5 percent) and written in-class assignments: (25 percent.) Class attendance is mandatory. You
must do the assigned readings and participate in oral and class blog discussions to do well on the
class participation grade.
Missed
written in-class assignments cannot be made up. Only
one in-class written grade --your lowest--will be dropped.
Grading:
Each assignment will be graded for accuracy, meeting of deadlines, substance,
presentation/navigation/links (for Web projects), quality of writing (headlines,
story blurbs, photo captions and other text), usability and style. Associate
Press print stylebook rules and rules of grammar should be followed on every
assignment. Factual
errors will result in grade deductions, as noted on each assignment.
Letter-grade deductions also will be taken for broken links, including for
photos, and for navigation that doesn't work. All written and Web assignments
are due at the start of class, unless specifically instructed otherwise. No
excuses, other than the hospitalization of the student or the death of a member
of the student's immediate family, will be accepted for late assignments. A full letter
grade will be deducted for each day an assignment is late, except for the final
paper, which will receive an F if turned in after deadline.
Standards, Ethics and Academic Integrity: Students
are expected to adhere to the strictest journalistic and academic standards. For this class, you must do all work yourself, without collaboration with classmates or others,
unless I tell you otherwise. Along with certain rights, students also have the responsibility to behave honorably in an
academic environment. Academic dishonesty, including cheating, fabrication, facilitating academic dishonesty and plagiarism (including use of unauthorized
photos, graphics or text from the Web) will not be tolerated. Any abridgement of academic integrity standards will be referred directly to the campus judiciary.
Confirmation of such incidents will result in the earning of an "XF" grade for the
course and may result in more severe
consequences, such as expulsion. Students who are uncertain as to what constitutes academic dishonesty should consult the
university publication called "Code of Academic Integrity,"
administered by the Student Honor Council. This
code sets standards for academic integrity at Maryland for all undergraduate and
graduate students. For more information on the code or the council, please
visit
http://www.studenthonorcouncil.umd.edu/whatis.html.
Books & Materials:
We will be using a combination of textbooks and handouts (printed and online) in this
course:
-
Required texts: Richard Craig's "Online Journalism: Reporting,
Writing and Editing for New Media"
-
an
Associated Press Stylebook and Libel Manual (for print). Please bring the
stylebook to class with you to aid in lab work.
-
Readings: This syllabus links to various required online reading assignments under the class schedule.
In addition, because the field is changing
so fast, you'll be expected to do additional reading to keep up. You should on a
weekly basis read relevant stories and columns in the Online Journalism Review.
Computer Access:
Our 3rd floor WAM lab is equipped with
the Web-editing tool Microsoft FrontPage, and JOUR 352 students may also access software for this class
from Rooms 3102 and 3111, when classes are not in session.
Students with Special Needs:
Should talk to the instructor at the end of the first class.
Class Schedule:
The instructor reserves the right to make changes to the
weekly schedule to fit the needs of the class and to accommodate guest speakers.
All readings should be done before class meets, except for readings for the
first class, which should be done before Week 2. Please be sure to
check the Web site of this syllabus every week to check for any changes to the
schedule.)
Week 1:
Jan. 24: Course and
syllabus overview and student
introductions.
Week 1 Readings: Chapters 1 and 2 in the
Craig book ("Why Is Online Journalism Different, and Why Should You Care," and
"The Job of the Online Journalist"). Plus "Fear.com" by Chip Brown in the June 1999
issue of American Journalism Review.
Week 2:
Jan. 31: An
overview of why newspapers and broadcast outlets are on the Web, and a bit about the unique features
news Web sites offer readers--including personalization, multimedia,
searchable databases, 24-hour updates, interactive chats and blogs and in-depth
special reports.
A brief history of the Internet. Then begin discussing search engines, directories
and wikis and their reliability.
Plus: an in-class tutorial
from John R. Henderson, a reference librarian at the Ithaca College Library, on
distinguishing between reliable sources and junk on the Web. (Read down to
"One More St*p*d Assignment.) And a
Web-surfing assignment from the instructor to be counted as an in-class grade.
Week 2 Readings:
Chapter 4 in the Craig book ("Web Resources and Databases"). Plus: "A 10-Year Checkup: A Decade Into the E-Health Era, Online Medical Resources Pass a Real-Life Test," by Craig Stoltz, in the Aug. 1, 2006, Washington Post; "Non-traditional sources cloud
Google News results," by
Eric Ulken in the May 19, 2005, edition of Online Journalism Review; "RSS for journalists: Your own personal Web butler,"
by Jonathan Dube, in the Feb. 15, 2005, edition of PoynterOnline; "Wikipedia: Teapot Tempest," by Wade
Roush, in the Dec. 7, 2005, issue of Technology Review;" Collaborative Conundrum: Do Wikis Have a Place in the Newsroom?" by Mark Glaser
in the Sept. 10, 2004, edition of OJR;
"Dot-com Still
the Main Domain," from the May 6, 2002, issue of Wired News. A Web research handout from
Harvey will be distributed in class.
Week 3:
Feb. 7: Introduction to
basic html,
with a discussion of font sizes and faces and instructions on creating horizontal rules,
headlines and background colors. Plus:
Changing link colors, creating hyperlinks, e-mail links, bulleted lists and
anchor (internal page) links. We'll also discuss using
html to add graphics
and photos to a Web page.
Please bring a printed or electronic copy of your resume to class. We'll
work together, using a basic html handout from Harvey
as a guide.
Week 3 Readings:
"The Html Basics" from Webmonkey.com.
Week 4:
Feb. 14: UNIVERSITY
CANCELS CLASSES - SNOW AND ICE
Week 5:
Feb. 21:
A basic introduction to photo scanning, sizing and cropping in PhotoShop, along with a discussion of shooting and
selecting strong
photos. Please bring in at least one photo of yourself for possible use in your bio package; we will scan and size
it.
Ethics, taste and restraint in new
media. Also, a discussion of ethics and copyright issues: Just because a news organization can publish something doesn't
mean it should. A look at how the speed of the 24-hour news cycle has
affected news judgment; whether or not online sites are properly differentiating
between editorial and advertising content; corrections and linking policies, and
more. Plus: Legal issues in
cyberspace. Among the legal questions to consider: Can news sites be
held liable for comments posted on bulletin boards? Is it OK to copy source code
from another site to mimic design? What about republishing someone else's text, photos and
graphics? Can you get in trouble for forwarding a published story to a friend?
Complete an ethics assignment in class.
Week 5 Please
review: "NPPA's Best of Photojournalism
Web Site Contest 2006" and photos on "NPPA's
Best of Photojournalism 2005."
The ambitious among you may also want to click through photos and galleries on
The Digital Journalist.
I'll have photo scanning and photo shooting handouts for you in class.
Readings on ethics: Chapters 14, 15 and 16 in the Craig book ("Online
Standards Vs. Journalistic Standards"; "Legal Issues Online and Offline"; and
"Ethics in Cyberland."); Tish Grier's "Can we all just learn to interact?" in the June 13,
2006, edition of OJR; Robert Niles' "Can Newspapers Do Blogs Right?" in the
April 23, 2006, edition of OJR; Robert I. Berkman's "Is It Appropriate for Reporters to Lurk in
Online Chat Rooms?" in the Feb. 2, 2004, issue of Online Journalism
Review; Barb Palser's "Charting New Terrain"
and Michael Oreskes' "Navigating a Minefield" in the November 1999 AJR; plus
Matt Welch's "What If You Couldn't Trust the New York Times?" in the April 24,
1999, issue of OJR; and Howard Kurtz's "Dallas Paper's Story: A
Scoop That Wasn't," in the Jan. 28, 1998, Washington Post. Readings on copyright: A handy online guide: "10 Big Myths about copyright
explained," new-media publisher Brad Templeton's wise-guy analysis of a
complicated subject. And "Search Me? Google Wants
to Digitize Every Book. Publishers Say Read the Fine Print First," by Bob
Thompson, in the Aug. 13, 2006, Washington Post; "Copyright Issues
Present Ongoing Dilemma: To Link or Not To Link? by Robert I. Berkman, in the
Oct. 1, 2003, edition of Online Journalism Review. Readings on Credibility issues: Aly Colon's "Putting Old Values to Work with New Tools," in the
Dec. 12, 2003, edition of poynter.org; and Chris Harvey's "Journalists Are Still
Wary of Online News," in the December 2001 issue of AJR.
Assignment: Due at the beginning
of class Feb. 21: Turn in to the x drive a one-page resume, with text, subheads, internal (anchor) links, an
e-mail address link, at least one external hyperlink and a bulleted list. Your resume should also
include a
horizontal rule. Background colors are optional, as are changed link colors.
Each factual mistake will result in one letter-grade deduction, as will each
broken link. Unreadable resumes (because of bad color choices for fonts or
backgrounds) will result in an automatic F. Resumes should follow AP style
for print throughout.
Week 6:
Feb. 28:
Writing
succinctly and conversationally for the Web, session I: Narrative nonfiction. I
will give you handouts of several nonfiction narratives written by other
students. We'll
read and discuss them, then you will begin roughing out the text for a personal, nonfiction essay
for your bio package. You'll turn it in to me by the start of the next class. Your essay
should be 300-700 words and should be on a topic that reveals something about your background or character:
A relative or teacher who had a great impact on you; an incident that came as a
turning point in your life; an anecdote about why you ended up in journalism
heading toward a career as a writer. Please try to avoid being too negative or
flip; this is intended to be the opening narrative on the home page of your
biography package. Potential employers may be reading it. The draft will count
as an in-class grade; it will be edited and returned to you for a
write-through for inclusion in your bio package.
Week 6 Readings: Chapters 6, 7 and 8 in the
Craig book ("Online Writing Styles"; "Hooking and Keeping Readers"; Revving Up
Your Writing"). Plus Judith Silverstein Gray's "Turning Personal Experience Into Narrative"; Walt Harrington's "How Memories Become Memoirs"; and Poynter.org's Chip Scanlan on "Writing the Personal Essay"
and "Tips for
Writing a Personal Essay."
Week 7:
March 7:
An introduction to a Web-editing tool and to table building.
(Tables can be used to create photo and caption boxes,
basic page
layouts and charts.) I'll have a table-building handout for you in class. Begin discussing online
design and navigation issues, eye tracking studies, audience concerns
and the importance of folder structure to Web building and Web addresses.
You'll be asked to sketch out (or storyboard) the page layouts for your
bio packages. These hand-drawn sketches will
show where your navigation bar will go on each page and where
photos, headlines and stories or other text will go. Navigation must be consistent on all
pages. Also, in a Word document, you'll type a brief description
of the content and art that will go on each page; be explicit about the
background/banner/text color schemes you
will use to tie the pages
together, along with the font styles and sizes for headlines, photo captions and text.
If you're going to change link colors, please note that, too. This will count
as an in-class grade; turn in by end of class. We'll review Web design tips
and Web site planning in class.
And review for midterm.
Readings: Chapters 13 in the Craig
book ("Basic Online Layout"). Plus: Webmonkey's "The Foundation of Web Design" and
"Information Architecture Tutorial"; and "Surfing the Web for Design Lessons," by Anne Van Wagener, for
PoynterOnline, Jan. 31, 2005, edition. Plus: Webmonkey's tutorials on site design;
Dan Farber's "Eye tracking Web usability"
on ZDNet's "Between the Lines," March 27, 2006; and Edward C. Baig's "Survey
Offers a 'Sneak Peak' Into Web Surfers' Brains," on USA Today March 26, 2006.
Week 8:
March 14:
MIDTERM. Students may work on photo scanning and cropping after
they finish their test
March 21:
SPRING BREAK. NO CLASS.
Week 9:
March 28: Get back bio package layouts. Go over bio package checklist. Then begin unit on: Writing for the Web, Session II: Begin discussing/working on headline writing
for the Web. Also, before our next class (April 4), please
find a good and not-so-adept headline on one or more news Web sites, and explain
why you think so on this class discussion blog:
http://online-journalism-for-beginners.blogspot.com/. Please be sure to
give the full URL and headline for each. Please don't write anything you don't
want the world to see.
Week 9 Readings: Chapter 10 in the
Craig book, ("An Uphill Battle: Online Copyediting"). Also check out these headline writing tips from John
Schlander, Joel Pisetzner and Wayne Countryman on
www.copydesk.org. Plus:
Harvey's Writing for
the Web handout.
Week 10:
April 4 :
Get back midterms; more tips with using Dreamweaver (inserting links, images and
tables using the tool; using font and headline shortcuts; introduction to
Cascading Style Sheets); more discussion and work on headlines, home page blurbs and links, with an in-class
assignment. I'll stay after class to answer questions on posting audio and video
to the Web.
Week 10 Readings: Chapter 11in the Craig book, ("The Online
Editor/Utility Infielder.") Dreamweaver: Getting Down to Basics, More on Tables, and Creating Links in Dreamweaver; tutorials from Internet4Classrooms.
Week 11:
April 11:
We'll discuss different
storytelling structures that work on the
Web--including nonlinear ones such as photo galleries and interactive ones
such as news quizzes and chats.
During the second half of the class, I'll answer questions and offer help on your bio packages.
Readings: Chapter 12 in the Craig
book, ("Multimedia for News"). Please also read Jonathan Dube's page on "Online Storytelling Forms,"
on CyberJournalist.net. Please spend some time reviewing packages on
"InteractiveNarratives." Plus:
Mindy McAdams' "Flash Journalism: Professional Practice Today," published on OJR
on Sept. 22, 2005; and Elizabeth A. Ferris' "Rethinking the Multimedia Experience," published on Poynteronline on Nov. 16, 2005.
Week 12:
April 18:
I'll
allow 15 minutes at the start of class to do last-minute pushes of bio package
pages and photo folders to the live server.
Then we'll have a discussion/graded class
assignment on multimedia packages built by professional Web sites in response to
the mass killings on Monday at Virginia Tech.
What was done well? What could have been done better? Were
stories told in the best format?
If time permits, we'll have a
discussion of interactive databases on the Web, including
issues of privacy vs. the public's right to
know. Where should the line be drawn? For example, is it OK to publish the
salaries of low-ranking public employees, coaches, etc.? How about
property records? Divorce and death notices?
Readings:
Jeff South's "No Secrets" in the April 2000 issue of AJR.
Assignment: Due at start of
class: Turn in your four-page Web bio/resume package, with internal and
external links; at least three photos and one graphic; and text. All links must
work; busted links result in letter-grade deductions. Any factual mistakes in
your text will result in a full letter-grade deduction; any packages turned in
late will lose a full letter grade for each day that they're late.
Week 13:
April 25:
First half of class:
We'll
have
a discussion and class exercise on using story templates and production tools to build stories, packages
and charts on
news Web sites.
(You won't be building story pages from scratch when you're hired as a
producer or editor at a news Web site, but you will be expected to understand
basic html and how packages are built and structured.) Second
half:
We'll have a
discussion on the proliferation of Web logs (or blogs), and
their impact on emerging democracies in other countries and on politics,
mainstream journalism and teens in the United States. We'll also look at
the impact of citizen journalists on mainstream media. GUEST
SPEAKER: Leslie Walker, former executive editor of washingtonpost.com, and
former writer of the dot-com column in The Washington Post.
Readings:
Yuki Noguchi's "Kids Say the Darndest Things in Their Blogs; For Parents, It Can
Be Embarrassing," in the Aug. 22, 2006, Washington Post;
Nico Mcdonald's "Comment Is Free, But Designing Communities Is Hard," in the
Aug. 17, 2006, edition of OJR; Mark Glaser's NOLA.com blogs and forums help save lives after Katrina, in the Sept. 13, 2005, edition of OJR; Barb Palser's "Journalism's Backseat Drivers," in the August/September 2005
issue of AJR; "Gallup Probes Blogs, Finds Most Americans Have Never Heard of
Them," from the March 11, 2005, Editor and Publisher. Plus: Plus: Mark
Glaser's "Flickr,
Buzznet Expand Citizens' Role in Visual Journalism," in the Nov. 15, 2005
edition of OJR;
J.D. Lasica's "Citizen's Media Gets Richer," in
the Sept. 7, 2005, edition of OJR;
Mark Glaser's "Bloggers, Citizen's Media and
Rather's Fall: Little People Rise Up in 2004," in the Dec. 21, 2004, edition of OJR;
and Mark Glaser's "Will Satellite, 'Podcasting' Bring a Renaissance to Radio Journalism?" in the
Oct., 12, 2004, edition of OJR. Plus: Rachel Smolkin's "The Expanding Blogosphere," in the June/July
2004 issue of AJR; Aly Colon's "Blogs and
Ethics" in the April 22, 2004, edition of Poynteronline. Cynthia L. Webb's
"Blogging the Recall" in the Sept. 12, 2003, edition of washingtonpost.com;
Leslie
Walker's "New
Kids on the Blog" in the Feb. 6, 2003, edition of The Washington Post, and
her
Web Watch on "Picture Diaries", in the Jan. 19, 2003, edition of the paper;
J.D. Lasica's "When
Bloggers Commit Journalism," in OJR's Sept. 24, 2002, issue;
Catherine Seipp's "Online
Uprising," in the June 2002 issue of AJR; Staci D. Kramer's "The
Perfect News Incubator" in the Dec. 18, 2002, issue of OJR. See also
photoblogs.org and
blog tracking sites Technorati and The Truth Laid Bare.
Week 14:
May 2: 2-3:15 p.m.: Meet with Retha Hill, vice president of content at BET Interactive in Washington, D.C.,
for a Web newsroom tour and talk.
Please review the BET.com site before our session.
We'll chat about how storytelling, story presentation and reader
interaction at Web sites can differ from storytelling in traditional media.
Students will be given assigned questions to answer; those
typed responses will count as an in-class grade. Responses to questions are due at the start of
the May 9 class. Address and phone:
2000 M Street, N.W.,
Suite 602, Washington, D.C. 20036 Phone: 202-533-1900. Near the Dupont Circle
stop on the Metro Red Line. See map.
Week 15:
May 9: Collect last week's BET.com assignments. Answer
questions on final papers. Show all students' bio packages to the class,
allowing time for explanations and comment. Discuss media convergence and
how it affects your futures in journalism; talk about individual student career
plans. Plus: I'll also explain how you
can move your bio packages from the journalism server onto the university
server so you can keep updating them even after you leave this
class. You will need a working university e-mail account to participate.
And I'll leave time for class
evaluations.
Readings:
Chapter 17 in the Craig book ("The 21st Century Journalist"). Also: "How the Web
Was Won," by columnist Leslie Walker, in the Aug. 3, 2006, Washington Post; "The Great
Divide: Is the industry really ready for high-tech students?" by Elizabeth Birge,
in the Aug. 1, 2006, issue of Quill Online; "On the Rebound: Recovery continues
for journalism jobs," by Karon Reinboth Speckman, in the Aug. 1, 2006, issue of
Quill Online; "Online opportunities
make journalism's future bright, despite gloomy feelings," by Rich Gordon, in
the Oct. 27, 2005, edition of OJR; "Growth of online ads hits
high speed," by Jon Swartz, in the Jan. 16, 2005, issue of USA Today; Cynthia Gorney's "Superhire 2000" in the December 2000 issue
of AJR.
Final Paper Due by 3:30 p.m. on Monday, May 14 (based on the
university's Final Exam Table): Turn in on paper (UNDER MY OFFICE DOOR on the 4th floor) AND by e-mail to me so
that I will have the e-mail time stamp. See description in "Assignments/Tests,"
at top of syllabus.
Copyright © 2000, 2001, 2002, 2003, 2004, 2005,
2006 and 2007, Chris Harvey,
with readings list supplemented by UMD adjunct instructor Joshua Hatch,
a rich media producer at usatoday.com.
Published stories, tutorials or personal bios linked from this page are the
property of their respective copyright holders. Latest version written Jan. 23, 2007;
last updated April 3, 2007
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